“It felt like we were tourists,” Farriss remembers. Chris Thomas would again produce, and the songwriting would be carried by Tim’s brother Andrew and frontman Michael Hutchence, who was comfortably growing into the job of swaggering international sex symbol.Īnd to best wed those studio-polished grooves to the vibe of a tight live band that had played together for nearly a decade, they rehearsed the new songs at the iconic Sydney Opera House. We could feel that sort of thing, and we knew what our strengths were.” Refining those strengths-namely, a preternatural talent for big-tent, danceable pop-rock anchored by slick, studio-polished grooves-meant maintaining continuity for Kick, which would become the biggest album of the band’s career, selling some 20 million copies worldwide and yielding four Top 10 singles in the US alone. The world certainly knew who we were, and the fans and the general public wanted us to succeed. “Each record was kind of an era for us that blended from one to the other,” guitarist Tim Farriss tells Apple Music. But for the artists themselves, the experience is a blur, especially given the view from inside a wild, world-beating run like the one Aussie pop powerhouse INXS were on circa their fifth album, Listen Like Thieves, in 1985. It is easy, with the benefit of hindsight and history, to chart an artist’s commercial and creative evolution, to divide a long career into distinct periods and surmise how one led to another. Guitarist Tim Farriss goes track by track on the album that changed INXS-and modern pop-forever.
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